PDF Ebook Imaginative Realism: How to Paint What Doesn't Exist (James Gurney Art), by James Gurney
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Imaginative Realism: How to Paint What Doesn't Exist (James Gurney Art), by James Gurney
PDF Ebook Imaginative Realism: How to Paint What Doesn't Exist (James Gurney Art), by James Gurney
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Product details
Series: James Gurney Art (Book 1)
Paperback: 224 pages
Publisher: Andrews McMeel Publishing; 1 edition (October 20, 2009)
Language: English
ISBN-10: 0740785508
ISBN-13: 978-0740785504
Product Dimensions:
9 x 0.6 x 10.5 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
182 customer reviews
Amazon Best Sellers Rank:
#24,719 in Books (See Top 100 in Books)
If you are a regular reader of James Gurney's blog, Gurney Journey, you would expect nothing less. This book is as good as I expected. He dispenses his knowledge as freely as he does on his blog. Here's what he says about his own book from the introduction:"This is not a book about figure drawing, anatomy, or perspective. It's not a step-by-step guide on how to draw dinosaurs. It's also not a recipe book for a particular paint technique, although all these topics are addressed in passing. What this book contains is a distillation of the time-tested methods that I've found to be most helpful for achieving realism in imaginative pictures."If you haven't got the hint from the title, this book is about making your art real and believable. In every chapter, James Gurney shares with us what he learned when creating his paintings. There are topics on people, dinosaurs, architecture, vehicles, composition and his step-by-steps (not techniques but process). The tips he gives can be applied on other subjects as well.The importance of research is emphasized and the amount of research he does really shows. While creating an illustration on ship wreckage for National Geographic, he talked to survivors to get an accurate account. He found out there's a drummer boy who used his drum as a float and drew that in. He also acted out the various poses of sailors in distress, rather than drawing them from imagination. The result is a painting that tells its story convincingly. The same goes for many of his other paintings.Another interesting read is the story of him trying to design a Dinotopian fire engine. When he presented his concept art to a professional fire engine designer, it was critiqued to have form but not function. There's lack of heat protection for the dinosaur, lack of understanding on how water hose works and a complicated water pump design. The revised concept is a huge improvement in believability that I thought it actually might work.He has provided lots of photos and his own work in the book. You'll get to see how he stages the props for reference, sketches and drafts, plenty of commissioned work (especially from National Geographic), the bird on his shoulder while he's drawing, the lousy-art incinerator he created from mirrors and other entertaining stuff.Imaginative Realism is an enlightening and fun read. Highly recommended to professionals, beginning art students and those who wish to push their art to the next level in terms of depth.(More pictures are available on my blog. Just visit my Amazon profile for the link.)
Another classic. Great book that makes fantasy art concepts and related "art theory" highly approachable for virtually anyone. The cover does give you pause as to the quality of the material that might be inside, but as grandma used to say, "never judge a book by it's cover!" So right she was! Actually, a very practical book filled with invaluable information that can help any artist or aspiring artist improve his or her work in very tangible ways. It's that good!
After reading Gurney's fantastic book "Color and Light: A Guide for the Realist Painter" I had high hopes for this book. Sadly I can only say I thought it was ok at best unless you are a beginner. Most of the book is really just advising to use references and making models of your characters/settings (easier said than done). That is good advice, but it isn't something I needed a 200+ page book to say. The imagery is fantastic, but honestly I would just stick with Color and Light.
First art book I've read cover to cover. I've been a professional artist for 2 decades now, and know a lot of trade methods, but this was such a find! I've learned so much, and it inspires me to pursue my best work with better methods. Gurney brings the breathtaking and overwhelmingly involved, masterfully executed paintings -within reach to each of those of us artists who used to find them simply daunting. Not since Loomis have I loved such a How-To. I'd give it more stars if they were available. I'd have paid more money if it cost more. Do yourself a favor: buy this book, and a couple backups just in case your artist friends insist on borrowing one... because you won't get it back!
Heftier in both pages and content than most "How to Draw" type books, Imaginative Realism delivers on some great art instruction.I'd be hard pressed to think of this as the type of "How to" book it first appears to be, since there isn't any step-by-step instruction. It does however cover many basic aspects of art that standard books often miss.The two largest areas this book covers are reference(such as using models or maquettes as guides) and composition which showed some very interesting tips I'd never seen before; like "Windmilling" which helps unify light and dark in a composition. Both are essential to the book's goal of making believable art of invented subjects.This book also doubles as a retrospective of James Gurney's artwork with many sections centering on paintings he's done. Seeing practical examples of what he's teaching helps drive the concept home.And of course since the author also created the Dinotopia series, a sizable portion of the book is dedicated to dinosaurs.Something also missing in a lot of other drawing books, Gurney lays out several uses and careers for the skills he's teaching.All in all, Imaginative Realism is a solid art book with great pictures and useful tips on artmaking, whether your subject exists in real life or not.
As a painter, I have a hard time making everything look as if it's solidly grounded in the same world. I can tell that Gurney's book will become a staple in my art library as I muddle through things like, "Why does that rocket ship look like it's gonna fall right out of the sky, and why does that pony look like it's gonna float up into the stratosphere?"Not just why it looks like crap... but how to fix it. Bless you, Mr. Gurney!
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